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Alumine Five

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Alumine Five : Stereophile - Listening by Art Dudley

" The Alumine Five sets itself apart by offering traditional high-end audio strengths, very wide bandwidth, excellent spatial performance, and freedom from gross colorations, with the drivability and consequent good levels of touch, force, and musical momentum that are seldom associated with loudspeakers of contemporary design and manufacture.”

Stereophile, US, March 2018, Art Dudley

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Alumine Five : Hi-Fi Statement test

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Alumine Five : Hi-Fi Statement test

"As expected, the Alumine Five is extremely detailed and distinguishes itself as an accurate full-range monitor that I was happy to rely on when editing recordings. With its gripping dynamics, the rousing joy of playing and the perfectly contoured, rich and immense The lively low-frequency range first surprised me and then inspired me. At Stenheim, having fun listening to music comes first!”

Hifi Statement, Germany, 2017 ,Dirk Sommer

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Alumine Five : Audiotechnique cover feature

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Alumine Five : Audiotechnique cover feature

” … but under the overall play, the high frequency of that kind of transparent, calm, delicate, crystal clear and flowing feeling actually made me feel like listening to a diamond tweeter. The design skills of the party's development team are unfathomable… ”

Audiotechnique, Hong Kong, July 2017, Patrick Lee

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Alumine Five : The Audio Beat visiting Stenheim

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Alumine Five : The Audio Beat visiting Stenheim

“With enough bandwidth to deliver scale and impact, yet agile enough to respond to the most delicate musical input, the Five promises to be -- just like the perfect middleweight -- one of the best pound-for-pound musical transducers I’ve heard.”

The Audio Beat, US, April 2017, Roy Gregory

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Alumine Five : The Absolute Sound best of show contender

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Alumine Five : The Absolute Sound best of show contender

"Stenheim showed its €50k Alumine Five four-driver three-way with Audio Consulting turntable, preamp, phono amp, and amp, Nagra digital, and Brandt cable from Geneva. This was quite a remarkable setup as I heard things through it that I hadn't heard as clearly on anything else, such as Paul's fingering of Sebastian (his twelve-string casket-style guitar) on my PP&M LP. A Best of Show contender, for sure."

TAS, US, Highend Munich, May 2016, Jonathan Valin

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